Effects

This fall, don't count on warming up with a latte: cozy up to the face-melting fuzz of the Pumpkin Spice Apocalypse.

A combination boost/mid boost with quite a bit of headroom available to get loud without clipping.

The Fiasco is a fun and exciting way to turn everyone's favorite karaoke echo chip into an ensemble of noise and chaos.

Experience the pure joy of anhedonia. Questionable reverb into dubious fuzz.

More hard-clipping, gated distortion than anything in the Kuiper belt, but can it deliver usable crossover distortion?

I would not be convicted by a jury of my peers; Still broken after all these years.

Second in a series of Philly-themed, non-transparent, Klon-ish overdrives, but with notably fewer magical claims.

The Cringe is a fuzz and octave pedal that is completely original. (This a joke...there is nothing original about it.)

Sit back, relax, and let the smooth sounds of mild overdrive wash over you like a gently flowing creek of tone.

The legend lives on, from the skiddily-beep-bop-da-dooba-dooba-doobily dee.

You'll be smitten with Divine Smite. Or smited. The power of Tyr compels you; the power of Tyr compels you.

Trenton makes, the world takes, but neither do much to perk up your harmonics.

Sometimes you need a Boost. And possibly too much treble. That's when you need to saddle up a Mild Stallion.

When a normal amount of medium is simply not enough.

If the blues could somehow be "driven," this is what it would sound like.

A riddle, wrapped in a mystery, inside an enigma, packed into a fuzz pedal.

What are flamingos if not pink rats called penguins?

Named after an angry bunny that I met at a boat ramp.

As you can tell from the paint job and obvious rodent name, it's a take on the RAT.

This is to inform you that all the fuzz pedals you ate since first grade are alive in your body. That's 365 days a year from first grade to now. Breakfast, Lunch, Dinner.

It's a fuzz. It can get freaky. It's potentially broken.

Clean boost/hard-clipping transparent overdrive with germanium diodes. In the style of the half man/half horse original, but paying tribute to Philly's best graffiti.

A classic 70s-style fuzz circuit with some flexible EQ options.

It's fuzz. It only has one knob. That knob is marked "knob."

Digital Reverb. Like *really* digital. Not that there's anything wrong with that.

Delay, like life, can be monotonous, but modulated delay with some extra tricks makes this a far more wacky form of repetition.

A voluminous reverb with the ability to go into vacuous "infinite reverb tail feedback" via a runaway switch.

Full of literary/theatrical references and a mild ability to squish audio, it's technically a compressor!

The latest from the Smewthe line of compressors, this one harnessing the power of light.

I've felt the raw power of really smooth music.

Is it good? It's Abysmal! For all of your octave down, double octave down, and arbitrarily down-tuned needs.

A minor debacle, highly emblematic of the type of cognitive bias embraced here at Dunning∿Kruger FX.

I have one simple request, and that is to have charcuterie with frickin' laser beams.

Leave it to Philly to set the lowest bar for moderate achievement.

An easy way to transparently inject vintage tone and aesthetics into otherwise modern pedals.

The DIGITRON 5000 is a utility pedal for developing digital effects, fluent in over six million forms of communication, including USB.

A basic splitter: a utility pedal that can take one instrument signal and split it into two.

A simple, passive re-amper style device to get a line-level signal to instrument level so that it can be run through guitar pedals or amps.

When the tone of your switches matters, trust only germanium.